Delayed, but never late, Sydney Sprague’s album maybe i will see you at the end of the world was worth the year long wait as she signed to Rude Records in 2020 after being independent for some time. From there, her breathy, rock n’ roll catharsis “steve” made it to NPR, a humble brag not many get off their first record, let alone the first single. A seemingly tenacious view of her record, the track was just the beginning of a well-rounded release. Sprague has channeled the woes of modern society into sweet croons of delicate indie prowess. An Austin, Texas native, the sounds of cowboy twang weave into the strings and reverb played by Sprague who has a natural ability to harmonize alongside her Americana, indie-rock chops. She followed up her first EP, Dark Cloud, with Bad Patchwork release...
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Misery Made Me
2022 release. Filled with moments of relentless energy throwing back to their punk and hardcore roots to visionary moments of modern heavy, Silverstein's Misery Made Me fastens the group's status as torchbearers of the scene on all fronts. It's both intriguing and inspiring that a band - who could have merely rested on the impressive legacy they've already cemented - would continue to dig deep and find the inspiration to reach people in meaningful new ways. On Misery Made Me - and their 22nd lap around the scene - Silverstein ultimately find themselves spring-boarding off the heights they've reached over the past handful of years. "For the first time in our career, we truly put it all out there. We went into this with no rules and no preconceived notions of what Silverstein is or what it could be. The results are bold. We somehow wrote the heaviest, saddest, catchiest, and most emotional songs in 22 years of being a band... all on the same album," reveals vocalist Shane Told.
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