GREG DULLI Confirms Spring 2020 Solo North American Tour

Hamilton Hardcore Outfit DEAD TIRED Debut Their “White Caps” Animated Video

RDGLDGRN Announce Spring 2020 U.S. Headlining Tour

Revisiting 1959, The Year When Jazz Changed EVERYTHING

Alberta Folk-Rock Trio ELK RUN + RIOT Shine Bright on Their New Album ‘Morning Light’ [Premiere]

Revenant Marquis – “Youth in Ribbons” [Album Review]

Stereo Six: STATE OF MILLENIA Talk Us Through Six Songs That Make Them ‘Feel Alive’

Miles Davis – “Music From and Inspired by the Film ‘Birth of the Cool’” [Album Review]

ABBATH, 1349, Vltimas and Nuclear Dominate the Crowd at Doornroosje in Nijmegen, Netherlands [Show Review]

Sloppy Seconds – “Live – No Time For Tuning” (Reissue) [Album Review]

In Conversation with INSOMNIUM: Vocalist Niilo Sevänen on Their Origins, Fans, the Future and Pride [w/ Audio]

KISHI BASHI Reveals Spring 2020 North American Headlining Tour Dates

Vancouver’s WE ARE THE CITY Dig Up Dirt on Each of the Songs on Their New Album ‘RIP’

BEARTOOTH Get Fists Pumping at Toronto’s Danforth Music Hall [Photos & Show Review]


BIF NAKED Unveils Her Own Organic CBD Brand, Mona Lisa Healing

In Conversation with LOCKET: Brad Garcia Discusses ‘All Out,’ Joining Fearless Records, and Safe To Say [w/ Audio]

Marcus King – “El Dorado” [Album Review]

SHADOW PEOPLE Stand Up for Women’s Rights on Their New Single “Six Weeks“ [Song Premiere]

WILL HAVEN, SEPULTURA, the Return of WWE and more Confirmed for DOWNLOAD FESTIVAL 2020

New Week! New Noizes! Episode #69 (w/SKY VALLEY MISTRESS, WHITE STONES, PURGE and More)

Slaughter – “Stick It to Ya” [Retro Album Review]

EARTHGANG’s New Music Video Will Make Your Head “Swivel”

KAV SANDHU & The Smiths’s ANDY ROURKE Discuss Forming BLITZ VEGA, Being Viewed as a “Supergroup,” and Future Plans [w/ Audio]

WINCHESTER Foresee a Bleak Dystopian Future in Their New “Into You” Music Video [Premiere]

HORISONT Announce New Album ‘Sudden Death’ and Accompanying Spring European Tour

LIL WAYNE to Release 13th Solo Album ‘Funeral’ on January 31st

THE BLACK DAHLIA MURDER’s Trevor Strnad on the Band’s Upcoming South African Trip, New Record, and Politics of Christianity in Death Metal

SMASH INTO PIECES’ New Tears for Fears Cover Confirms We’re Living in a “Mad World”

Cosmic Trio YOB Reveal 2020 US and European Tour Dates

MIJA Confirms Debut Full-Length Album ‘Desert Trash’ and Unveils Lead Single

MONUMENTS Have Dropped a New Tack and Video Called “Animus”

JULIEN-K Revisit Their Dark Industrial ‘90s Roots on New Single “Harmonic Disruptor” [Video Premiere]

Kirk Windstein – “Dream In Motion” [Album Review]

Brooklyn’s THE EXITS Get Rawer with Their New Song “Double Crosser” [Premiere]

“This is Not a Drill”; ROGER WATERS Has Confirmed a Lengthy 2020 North American Tour

INSOMNIUM Cement Themselves as Melodic Death Metal Masters in London, Supported by CONJURER [Photos & Show Review]

Pumping Metal: THE VEER UNION’s Crispin Earl Details His Gym Routine and Music He Enjoys While Breaking a Sweat

Alt-Indie Rockers PERFECT BLUE Unveil Their Repeat-Worthy New Single “Guilty” [Premiere]

Aethyrick – “Gnosis” [Album Review]

Whet Your Rock Appetite with THE NOODLE BOYS’ New Music Video “OCEAN”

Mortiis – “Spirit Of Rebellion” [Album Review]

THE BRIBES Enjoy a Much ‘Louder Sunset’ with Their Brand New Album [Premiere]

APOCALYPTICA Bass Celloist Paavo Lötjönen Discusses The Band’s Latest Record ’Cell-0,’ the Influence of Metallica and Being an Instrumental Band

Uncut Gems (A24) [Movie Review]

The Time for Groove Metal “Assimilation” is Now! Stream FEAR IS DEAD’s New Single [Premiere]


SLIPKNOT Guitarist MICK THOMSON Announces Birmingham Meet and Greet

BRANT BJORK Shares Lead Single and Details of Upcoming Self-Titled Album Due April 10th

CODE ORANGE Touring the U.S. this Spring on the “UNDERNEATHTHESKIN¬_TOUR”

unsplash-logoLilith Redmoon