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YB Carries Forth with Conviction and Resolve in His New Music Video for “The Greatest” [Premiere]

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Fall of Messiah List the Top 10 French Post-Hardcore Bands

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Every Scar Has A Story Reflect on Friendship, Writing During Lockdown and Mental Health

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Drop Top Alibi Tackle Addiction on Their “Eyes For You” Video [Premiere]

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In Conversation with Jon Anderson: When is a Rock Star Not a Rock Star?

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“If I Have To Die,” then I Want To Hear The Wilderness’ Latest Single [Premiere]

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Dee Snider – ‘For the Love of Metal (Live!)’ [Album Review]

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Baltimore’s Sharptooth Discuss the Hardcore Scene, Making a Difference Through Music and New Album ‘Transitional Forms’

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Even with “My Limited French” this Wasting Time Music Video Speaks to Me! [Premiere]

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Stillbirth – ‘Revive The Throne’ [Album Review]

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Paltrocast with Darren Paltrowitz: #053 ft. Kansas, Sons Of Silver, and Radnor & Lee

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Art of the Meal: Des Rocs Talks Food on the Road, Favourite Hometown Eateries, and Almighty Pizza

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Time to ‘Blackout’ with Psychobuildings’ Brand New Single “Inside Out” [Premiere]

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Various Artists – ‘Don’t Tell Mom The Babysitter’s Dead’ OST [Vinyl Review]

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This Summit Fever Spread Stoner Rock Goodness with New Single “The Host” [Premiere]

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Eddie Vedder Joins Supersuckers for Cover of Ramones Classic “I Believe In Miracles”

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Insight – ‘Reflection’ [Album Review]

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Sons Of Silver Share Politically-Charged “Rude Awakenings” Music Video

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Sevendust Confirm Details for Album Number Thirteen, ‘Blood & Stone’

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Year of the Knife – ‘Internal Incarceration’ [Album Review]

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CloudRunners Empower Their Listeners with “The Only One” Music Video [Premiere]

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Ingested – ‘Where Only Gods May Tread’ [Album Review]

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Rob Lundberg Presents “Uncontaminated Sound – The Interviews” EP #13 with Tower of Power’s Emilio Castillo

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The Top 10 Foo Fighters Songs According to Seattle’s AVOID

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Robyn Ferguson – ‘Harbinger’ [EP] [Album Review]

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Accompany Struck/Down as They Tell the Tale of the “Wandering Child” [Premiere]

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Wayward Sons Frontman Toby Jepson Looks Back on Thirty-Five Years of Lessons Learned, Wonderful Memories and Loyal Fans

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KISS, Biffy Clyro and System Of A Down Set to Headline Download Festival 2021

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New Week! New Noizes! #95 (w/ KID DAD, Gob Patrol, The Heavy Hours and more)

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Pat Benatar – ‘Crimes of Passion’ [Retro Album Review]

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Pretenders – ‘Hate for Sale’ [Album Review]

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UnCovered: Static Cycle’s Jared Navarre on the Ferocious “Wolf” Single Cover Artwork

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Misery Signals – ‘Ultraviolet’ [Album Review]

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Pitchshifter Announce 2021 Tour Dates and Massive “EFKD2020” Collaboration

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Mastodon Confirm New Album ‘Medium Rarities’; Unveil Lead Single “Fallen Torches”

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Black Crown Initiate – ‘Violent Portraits of Doomed Escape’ [Album Review]

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Imperial Triumphant – ‘Alphaville’ [Album Review]

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Experience ‘Life In Low Fidelity’ with a Track-by-Track Breakdown of Zachary Kibbee’s New Album

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Sam Jones from UK Metallers Bleed Again Picks Six Huge Songs Inspiring Their Anthemic Sound

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Bloodstock’s Vicky Hungerford Discusses the EMFA, BOA 2021 and the Future of Festivals

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Heavy Rocking SpiritWorld Share the Top 10 Westerns that Shaped ‘Pagan Rhythms’

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The Fantastic Plastics – ‘MLFNCTN’ [Album Review]

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Dark Sarah Reveals the Cinematic Characters that Most Influence Their Writing

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Katalepsy – ‘Terra Mortuus Est’ [Album Review]

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Satellite Citi Unleash Their “Black Magic” in Video Form! [Premiere]

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Corey Taylor Reveals New Singles and Details for Debut Solo Album ‘CMFT’

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JunkBunny Continue Their Emergence with “Another Summer Song” [Video Premiere]

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The Pinx Pay Homage to Led Zeppelin with Their ‘Electric!’ New Song “Hammer of the Dogs” [Premiere]

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END’s Brendan Murphy on Lockdown Blues, the Future of Extreme Music and the “Hardcore Supergroup” Label

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