Don’t “Keep on Saying Goodbye,” Just Watch Northcote’s New Music Video

by : PureGrainAudio.com　

Michale Graves Rocks a Truly Intimate Evening in Cocoa, Florida [Show Review]

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Arlo Parks to Release Debut Album ‘Collapsed In Sunbeams’ in January 2021

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Double LP Version of ‘Austin Powers: International Man of Mystery’ Soundtrack Out on Record Store Day

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Boundaries Frontman Matt McDougal Shares Stories of a Bleak Existence

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Mitchel Evan Will Sooth Your Soul with His “Band-Aid” Music Video [Premiere]

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The Roof Dogs Double Down with New Singles, “Summer In Algeria” and “Devotion” [Premiere]

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Burning Pools’ Frontwoman Ginger Pooley Discusses Their “Bang Bang” Single and Upcoming Debut EP

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Rob Lundberg Presents “Uncontaminated Sound – The Interviews” EP #18 with Musician Bruce Sudano

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Atlases – ‘Woe Portrait’ [Album Review]

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Punk Rockers Healthy Junkies Release Haunting Cover of Nirvana’s “Something in the Way” [Video Premiere]

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Chaos Rising Founder Stéphanie Nolf on Her All-Female International Collaborative Metal Project

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Cheap Trick – ‘All Shook Up’ [Retro Album Review]

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12 Limbs Debut a Music Video for Their Encouraging Single, “Memoirs” [Premiere]

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Stream Nashville Folk Duo Timber Choir’s New Single, “Right Beside Me,” Now!

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Ironed Out’s Dave Makboo and Louis Gino Discuss the LBU, Hardcore and ‘We Move As One’

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Stereo Six: Danny Blu Whips Out His Monster Musical Influences

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Tattoo Talk: Paper Jackets’ Frontman James Mason Profiles His Evolving Body of Body Art

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Max and The Martians Get Colourful with Their “All the Same” Music Video [Premiere]

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Bulb – ‘Archives: Electronic’ [Album Review]

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Basic Elements Take You Behind the Scenes of Their Latest Single, “Hide” [Video Premiere]

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Purely Provocative: Hamilton’s King Park Discuss the More Nefarious Side of Being in a Rock Band

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SPAZA – ‘UPRIZE!’ [Album Review]

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Paltrocast with Darren Paltrowitz: #058 ft. David Arquette, Rob Halford & Less Than Jake’s Chris DeMakes

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Actress Hayley Law Discusses Her Role in the Film ‘Spontaneous’ [w/ Audio]

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Truth Decayed – ‘Modern Day Illusion’ [EP] [Album Review]

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Wipe Away Those Tears, Coby and the Prisoners Debut Their New Single, “Sad Eyes” [Premiere]

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Seaway – ‘Big Vibe’ [Album Review]

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Rush to Hear T-Rex Marathon’s Debut Full-Length, ‘Days Without Incident’ [Premiere]

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Raging Speedhorn – ‘Hard To Kill’ [Album Review]

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Selfdrou9ht’s New Single is a Perfect Tune for “The Comedown” [Premiere]

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Slayer – ‘Seasons in the Abyss’ [Retro Album Review]

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Brad Brooks Emerges Honest and Uninhibited with His New Single, “Heartbreak of Fools” [Premiere]

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Millie Manders & The Shut Vocalist Millie Talks Role Models, Catharsism and Punk Rock

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Deadscape – “The Artist” [Free Song Download]

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UnCovered: Elle Belle Deconstructs the Creation of the Artwork for His Album ‘Post Everything’

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‘The Fear Engine’ by Andy Ross [Documentary Review]

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Abandoned Souls Gaze Intensely Through the “Blinding Darkness” [Song Premiere]

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Stereo Six: No Joy’s Jasamine White-Gluz Picks the Albums that Changed Her Life

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In Conversation with Oceans of Slumber: Dobber Beverly on Influences, Instrumentals and Inspirations (Part 2)

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Star Trek: Picard (Season One) [Blu-ray Review]

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Pls Pls Me Debut Their Perpetually Pleasing New EP, ‘Too Late’ [Premiere]

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Corey Taylor – ‘CMFT’ [Album Review]

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One In The Chamber – “Blow” [Free Song Download]

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From Dumpsville to Paradise; an Interview with Cold Years Frontman Ross Gordon

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Bulb – ‘Archives: Volume 1’ [Album Review]

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Celebrate Individuality with Added Color’s “Less Like Me” Music Video [Premiere]

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Stereo Six: World Goes Round Celebrate Their Influences

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Anaal Nathrakh – ‘Endarkenment’ [Album Review]

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Purely Provocative: Wild Once Discuss the More Outrageous Side of Life in a Rock Band

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unsplash-logoLilith Redmoon