In Conversation with Black Crown Initiate: James Dorton on ‘Violent Portraits of Doomed Escape,’ Violent Vocals and (Hopefully Not) Doomed Tours (w/ Audio)

YB Carries Forth with Conviction and Resolve in His New Music Video for “The Greatest” [Premiere]

Fall of Messiah List the Top 10 French Post-Hardcore Bands

Every Scar Has A Story Reflect on Friendship, Writing During Lockdown and Mental Health

Drop Top Alibi Tackle Addiction on Their “Eyes For You” Video [Premiere]

In Conversation with Jon Anderson: When is a Rock Star Not a Rock Star?

“If I Have To Die,” then I Want To Hear The Wilderness’ Latest Single [Premiere]

Dee Snider – ‘For the Love of Metal (Live!)’ [Album Review]

Baltimore’s Sharptooth Discuss the Hardcore Scene, Making a Difference Through Music and New Album ‘Transitional Forms’

Even with “My Limited French” this Wasting Time Music Video Speaks to Me! [Premiere]

Stillbirth – ‘Revive The Throne’ [Album Review]

Paltrocast with Darren Paltrowitz: #053 ft. Kansas, Sons Of Silver, and Radnor & Lee

Art of the Meal: Des Rocs Talks Food on the Road, Favourite Hometown Eateries, and Almighty Pizza

Time to ‘Blackout’ with Psychobuildings’ Brand New Single “Inside Out” [Premiere]

Various Artists – ‘Don’t Tell Mom The Babysitter’s Dead’ OST [Vinyl Review]

This Summit Fever Spread Stoner Rock Goodness with New Single “The Host” [Premiere]

Eddie Vedder Joins Supersuckers for Cover of Ramones Classic “I Believe In Miracles”

Insight – ‘Reflection’ [Album Review]

Sons Of Silver Share Politically-Charged “Rude Awakenings” Music Video

Sevendust Confirm Details for Album Number Thirteen, ‘Blood & Stone’

Year of the Knife – ‘Internal Incarceration’ [Album Review]

CloudRunners Empower Their Listeners with “The Only One” Music Video [Premiere]

Ingested – ‘Where Only Gods May Tread’ [Album Review]

Rob Lundberg Presents “Uncontaminated Sound – The Interviews” EP #13 with Tower of Power’s Emilio Castillo

The Top 10 Foo Fighters Songs According to Seattle’s AVOID

Robyn Ferguson – ‘Harbinger’ [EP] [Album Review]

Accompany Struck/Down as They Tell the Tale of the “Wandering Child” [Premiere]

Wayward Sons Frontman Toby Jepson Looks Back on Thirty-Five Years of Lessons Learned, Wonderful Memories and Loyal Fans

KISS, Biffy Clyro and System Of A Down Set to Headline Download Festival 2021

New Week! New Noizes! #95 (w/ KID DAD, Gob Patrol, The Heavy Hours and more)

Pat Benatar – ‘Crimes of Passion’ [Retro Album Review]

Pretenders – ‘Hate for Sale’ [Album Review]

UnCovered: Static Cycle’s Jared Navarre on the Ferocious “Wolf” Single Cover Artwork

Misery Signals – ‘Ultraviolet’ [Album Review]

Pitchshifter Announce 2021 Tour Dates and Massive “EFKD2020” Collaboration

Mastodon Confirm New Album ‘Medium Rarities’; Unveil Lead Single “Fallen Torches”

Black Crown Initiate – ‘Violent Portraits of Doomed Escape’ [Album Review]

Imperial Triumphant – ‘Alphaville’ [Album Review]

Experience ‘Life In Low Fidelity’ with a Track-by-Track Breakdown of Zachary Kibbee’s New Album

Sam Jones from UK Metallers Bleed Again Picks Six Huge Songs Inspiring Their Anthemic Sound

Bloodstock’s Vicky Hungerford Discusses the EMFA, BOA 2021 and the Future of Festivals

Heavy Rocking SpiritWorld Share the Top 10 Westerns that Shaped ‘Pagan Rhythms’

The Fantastic Plastics – ‘MLFNCTN’ [Album Review]

Dark Sarah Reveals the Cinematic Characters that Most Influence Their Writing

Katalepsy – ‘Terra Mortuus Est’ [Album Review]

Satellite Citi Unleash Their “Black Magic” in Video Form! [Premiere]

Corey Taylor Reveals New Singles and Details for Debut Solo Album ‘CMFT’

JunkBunny Continue Their Emergence with “Another Summer Song” [Video Premiere]

The Pinx Pay Homage to Led Zeppelin with Their ‘Electric!’ New Song “Hammer of the Dogs” [Premiere]

END’s Brendan Murphy on Lockdown Blues, the Future of Extreme Music and the “Hardcore Supergroup” Label

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