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Album Review: Eternity’s End – Embers of War

Album Review – Der Weg einer Freiheit – Noktvrn

Album Review – Youth Fountain – Keepsakes & Reminders

Album Review – Silent Planet – Iridescent

Album Review: Omnium Gatherum – Origin

Album Review – Mortiferum – Preserved in Torment

Album Review – Like Moths To Flames – Pure Like Porcelain EP

Interview: Whitechapel’s Ben Savage Talks New Concept Record, ‘Kin’

Video Premiere – Sonic Fever – ‘Now’

Interview: Red Fang Guitarist David Sullivan Shares ‘Tricky’ Process Making New LP, ‘Arrows’

Interview: Fear Factory’s Dino Cazares Talks Band History and Future with Release New Record, ‘Aggression Continuum’

Album Review – Sleep Waker – Alias

Interview: Iceburn’s Gentry Densley On Breaking the Long Silence Between Albums with ‘Asclepius’

Album Review – Old Moon – Altars

Album Review – Ophidian I – Desolate

Video Premiere – Beyond Grace – ‘Factions Speak Louder Than Herds’

Video Premiere: Wormwitch – ‘The Wolves of Ossory’

Album Review: Born Of Osiris – Angel or Alien

Album Review: At The Gates – The Nightmare Of Being

Album Review – Alustrium – A Monument to Silence

Album Review – The Day Of The Beast – Indisputably Carnivorous

First Look Fridays: Featuring Arepo, Capra, Dazy, and Dipshit

Interview: Cannibal Corpse Talk Latest Album ‘Violence Unimagined’

Album Review: Wristmeetrazor – Replica of a Strange Love

Album Review: Fractal Universe – The Impassable Horizon

Album Review: Worm Shepherd – In the Wake Ov Sol

Album Review: Night Beats – Outlaw R&B

Album Review: Perturbator – Lustful Sacraments

Album Review: Stormruler – Under the Burning Eclipse

Album Review: Khandra – All Occupied by Sole Death


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unsplash-logoLilith Redmoon