Back in the 1990s, when every Norwegian church desired flame retardants more than anything else, black metal was wild, untamed and primal: an elemental musical (and ideological) force that eschewed virtuosity and mainstream acceptance in favour of emotional expression. If you factored in unemployment, safety pins and spit, you could easily be forgiven for confusing early black metal with punk, actually. Thirty-odd years later and the nation of Chile has its own growing horde of underground nihilists spreading the raw black metal message under the banner of the “Pure Raw Underground Black Metal Plague,” with many of the associated acts enjoying the patronage of the label Inferna Profundus Records. Vampirska is one of these, but their story is less overdriven, high-gain violence and a more f...