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Dayal Patterson Interview: ‘Black Metal: Evolution of the Cult’ – Restored, Expanded & Definitive Edition

Gradience – “This Abyss” [Song Review]

Spiritbox – “Cellar Door” [Song Review]

Baroness – ‘STONE’ [Album Review]

Oxbow – “Love’s Holiday” [Album Review]

The 69 Eyes – ‘Death of Darkness’ [Album Review]

Covet – ‘Catharsis’ [Album Review]

Spotlights – ‘Alchemy For The Dead’ [Album Review]

“The Serpent and the Pentagram: The Official Chronicles of Necromantia” by The Magus & Aris Shock [Book Review]

Die Oberherren – ‘Die By My Hand’ [Album Review]

Puscifer – ‘Existential Reckoning: Re-Wired’ [Album Review]

Hilning – ‘Råtijinn’ [Album Review]

Dark Funeral – ‘We Are The Apocalypse’ [Album Review]

Draven – ‘Abyssal Arcana’ [Album Review]

Final Light – ‘Final Light’ [Album Review]

Agnes Vein – ‘Deathcall’ [Album Review]

Watain – ‘The Agony & Ecstasy of Watain’ [Album Review]

Carpenter Brut – ‘Leather Terror’ [Album Review]

Gryftigaen – ‘Fehunðyrdauðr’ [Album Review]

Black Cilice – ‘Tomb Emanations’ [EP] [Album Review]

Old Castles – ‘Sarcophagical Lament of the Past’ [Album Review]

Vampirska – ‘Vermilion Apparitions Frozen in Chimera Twilight’ [Album Review]

Jazz Sabbath – ‘Vol. 2’ [Album Review]

Slow Burning Rage – ‘Slow Burning Rage’ [Album Review]

Doodswens – ‘Lichtvrees’ [Album Review]

Dead Space Chamber Music – ‘The Black Hours’ [Album Review]

Mariangela Demurtas – ‘Dark Ability’ [EP] [Album Review]

The HooDoo Loungers – ‘So Beautiful’ [Album Review]

Keb’ Mo’ – ‘Good To Be’ [Album Review]

Gaahls WYRD – ‘The Humming Mountain’ [EP] [Album Review]


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unsplash-logoLilith Redmoon