Tunic’s 2019 debut full-length Complexion showcased a band exploring the realm of punk inflected noise-rock. The Winnipeg based three-piece blazed through 11 tracks of frenetic, angular guitar, and driving, fuzzed-out bass riffs that landed somewhere at the crossroads of Drive Like Jehu and Unsane. Complexion’s run-time may have been just over 22 minutes, but the album was jam-packed with as many ideas as possible. On their follow-up, Quitter, Tunic offer more of the same spastic discordance, albeit slightly more fine tuned. The band still utilize a grimy AmRep Records sounding production, but they come off a bit more approachable. Guitarist David Schellenberg’s vocals have a hint of melody added to his yelled delivery, and drummer Dan Unger has upped his game, seamlessly shifting through ...
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