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Denver alt emo rockers BROKEN RECORD share “Blueprinting”, teasing new album on Really Rad Records

【輸入盤】USのパンク・レーベル「DR.STRANGE RECORDS」より新品アパレルが多数入荷!!

Kim Petras Launches ‘Feed The Beast’ Album and World Tour

DS Band Spotlight: Japan’s Five State Drive mixes ska and skate punk on excellent debut album

Outbreak Fest 2023 videos collected

Apache Rose – “Cabin Fever” [Song Review]

Interviews: Death & Memphis talk their new EP

COOKED’s ‘Wet Match’: a raw exploration of self-destruction and recovery

VOLORES Reveal Headlining Tour and Debut Album ‘Ages’

New Review Update: New Reviews for June 26, 2023

ROPE’s ‘Higher Violence’ showcases their musical journey through trials and resilience

15th anniversary of Offspring’s ‘Rage and Grace’ uses censored tracks, band responds

Fat Mike: “I can be whoever I want to be. And good people will treat me well. Bad people are always gonna treat me bad.”

Tours: Booze and Glory / Avem (US)

Norway’s Freedumb Unleash Long Lost “War Games” Single

Honey Revenge: “Bands who don’t provide safe spaces are f*cking up big time”

Videos: The Ape-Ettes: “Hearing Protection”

Interview: Honeytalks

Von Venn Unveils their New Album ‘Jeanie Is Out’

Josie Cotton – The Day Of The Gun LP (Kitten Robot Records)

Ultra-Violence Premiere Their Dark, Reflective Single, “Bottom Of The Glass”

Worriers announce new album, release “Trust Your Gut” video

Honeytalks Release “Super 8” Single

Kilamanzego announces new EP, releases “Remember Myself”

The big review: Glastonbury 2023

Trans/non-binary screamo collective Felony For Existing release new LP

Track-by-Track: Paul Grant Assesses His New EP ‘Forward’

Electric High – Flicking The Bees

THE DIRTY NIL: nuovo album e primo singolo estratto

Album Review: Wytch Hazel – IV: Sacrament


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unsplash-logoLilith Redmoon