With emo’s nostalgic revival in full swing, heaps of bands from the noughties and early ‘10s boom are regrouping for new music, tours and festival appearances. Amidst all this yearning for Warped Tour summers gone by, Sleeping With Sirens frontman Kellin Quinn has taken a different route to many of his peers by pursuing a project focused on something completely new, rather than looking to past glories. Said endeavour, Haunted Mouths, is a lo-fi indie-pop project written and recorded with Copeland’s Aaron Marsh, and it’s without doubt a far cry from his day job. While the laid-back bedroom-pop vibes of opener Further Til We Disappear are very different from Sleeping With Sirens’ frenetic emo fare, what is familiar from the outset is Kellin’s unmistakeable voice, wh...