To Chicago-area avant-garde pop composer and performer Haley Fohr, -io is not just the name of her sixth LP, but an environment that occupies both time and space as any physical location would. The only difference between -io and, say, Logan Square, is that you won’t actually be able to find it on a map. Its geophagy is emotional. It’s longitude and latitude psychographic. It is not so much a place you travel to as one that you allow into yourself and accommodate within your own mind. It is a superliminal valley, characterized by daunting kettles and moraines, and a sky the color of burning potpourri. A kind of metalandscape that presses its way into your amygdala until it breaks through and subsumes your reality. It is a place where the world is forever ending, and therefore, ...
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