The absorbingly unconventional Bloodywood have given our world a good shake-up of late simply by letting their talent, DNA and culture speak loudly. Prior to their noisy arrival, accompanied by positivity and acts of charity, you could have been forgiven for thinking traditional Indian music and metal weren’t the most logical of pairings. Nu Delhi, though, is Bloodywood gone bigger, bolder and more brazen. Opener Halla Bol is a sub-Slipknot stomp mated with the ear-grabbing fragrancy of Indian folk. Hutt and Daggebaaz are possibly even better; heaviness, flashes of electronics and an array of traditional Indian instruments – Sarthak Pahwa’s dhol (double-headed drum), plus sitar, flute, violin or possibly sarangi. Varied influences are just a starting point; it tak...