If you’ve even casually perused the Dying Scene archives at any point over the last fifteen years, you’re no doubt more than a little bit aware of the significance of 1994 in the annals of history. As a cultural touchstone (or more accurately a punk rock subcultural touchstone), it’s probably second only to 1976. While the latter saw bands like Ramones and Sex Pistols open the door for bands like The Clash and the scenes in the Lower East Side and London and eventually LA; the former blew the roof off the building, with bands like Green Day and The Offspring changing the sound of what qualified as ‘popular’ music and allowing the Rancids and the NOFXs and the Bad Religions of the world to not only create decades-long careers for themselves but to create exposu...