‘So, I’ve decided to take my work back underground, to stop it falling into the wrong hands.’ And so begins one of the most important albums in rock’n’roll history. Which is strange, because it’s not a rock’n’roll album, and certainly not a rock album. Hell, it’s not even the best album by the band in question – who could barely be considered a band at the time, at least in any traditional sense – but, nonetheless, it is in every way, a landmark record. And it rocks! Of course, revisionist history will suggest that we all knew that when it came out, on July 4, 1994, but in reality, we didn’t have a clue. Not the faintest. Indeed, The Prodigy’s second album, Music For The Jilted Generation, emerged from so far out of the left-field that we didn’t even se...
