END IT’s “Pale Horse” teasing wild Baltimore Hardcore Summer

KEROSENE HEIGHTS process chaos and permanence on “Blame It On The Weather”, out August 15th via SideOneDummy

FORCE MODEL’s “Barricade” hits like summer on the edge

OK BOOMER / No Trucks Over Seventy-Five Hundred Pounds split EP connects Trujillo and Philadelphia through emotional screamo built on shared struggle

WALKING BOMBS share collaborative album ‘Blessings Bestrewn Part 1’, feat. Gridfailure, Chrome Waves, and more

LATTER reflect on closure, performance, and the raw truth behind “Hope You Love Her”

Each track on JOLIETTE’s new album reveals another fragmented reality of Mexico City

BIOHAZARD break silence with “Forsaken”, ahead of Furnace Fest appearance

IGNITE’s “Where They Talk” returns in a 30th Anniversary Edition with bonus tracks and color vinyl

MODERN LIFE IS WAR announce “Life on the Moon” for September, “Johnny Gone” streaming

Skateboards, static sparks, and “Electric Chemistry” – introducing Brooklyn’s HOT HEAD

DOLVEN’s third album strips doom down to silence and sorrow

Andoni Ros begins his solo journey with “Elsecaller,” a two-minute shift from metal to meditative electronics

U.S. MAPLE’s “The State Is Bad” video resurfaces nearly 30 years later alongside reissue of debut LP

Shoegaze band SUNSTINGER channel psychological unrest through distortion and detachment on “Something Strange”

BANE’s “Boston 6:58pm” returns to the spotlight, European tour coming up

Barcelona’s THE COLDEST JULY document late-90s emo restlessness on “Thriving is over since then…”

LA alt rockers LONE KODIAK talk burnout, chaos, and whispered vocals over punk beats on “Reptilian”

“Won’t Be Long” by 80s infused pop rockers LITTLE US captures the tension of moving forward while standing still

A cross-continental hardcore alliance pushes back against illusion: PEACE OF MIND and SPEED join forces on “Blood Is The Price”