Beauty Is Timeless: HAMMOCK discuss ambient music as a way of seeing, belief, perception, and misreading the world

Boston rockers THE MAGIC CITY turn Boston and London into one imagined city on their debut album

Grunge rocker San Vane refuses to let shoegaze swallow the vocal on “islander”

OCHRE’s “Trouble In The Eye Of The Beholder.” bends post-hardcore into self-interrogation

BLACK MANTRA bend hardcore, punk, and reggae into “Slow Motion Apocalypse”

Deathcore act SINNER SELF comment on Slovakia’s underground, share “Malignant”

Fjord noir act VELCRO DOG returns with a major-key experiment wrapped in depressive lyrics on “The Gonzo Futurist Manifesto”

Winded preview heavier LP3 with “Double Memoir”, shot solo during a Miami lunar eclipse

UNDERGUST return after eight years with a crust/grind shift in “Collapsing In Silence”

Industrial nu metallers TRIP VILLAIN turn “Dose” into a 50/50 dance/metal overload

Dark ambient act SADFACE returns with cinematic score “Unsolved: KD-1” for Polish true crime documentary

Blackened crust screamo beast MANGUALDE turn humiliation and wrath into a blackened debut with “A Festa”

Brooklyn’s HONEY VHS swaddle their folk-rock in analog warmth on “With Pulp”

Evil in This World – True Detective inspired project MR. CHARISMA turns philosophical pessimism into four songs in minor and Dorian scales

Indie pop punk rockers ELEPHANT JAKE walk through “’98”, shaped by Masayoshi Takanaka and the loss of two grandfathers

Chris Broach (BRAID) pulls from Orwell on “Ministry of Truth,” from new solo EP “Reality Sufferer”

ATOMIK CLOCKS split bass, drums, sax, and synth into two different experimental machines

Italy’s SEEK VALIDATION LOOP send “Dead Letter”, a cold new wave about dead chats and rebuilt hearts

Sydney’s TANGLED IN WIRES turn childhood trauma into a continuous story on “All That’s Left”

Caterwaul 2026: Rye Coalition playing their first show since 2011, six bands interview, and Rainer Fronz from a hospital room