Sweden’s SAGOR SOM LEDER MOT SLUTET dig into the magmatic core on fourth album “IV”

Sensual fusionists CITY OF THE SUN: how a video in the Panamanian jungle put them in sold-out rooms in Athens

Scott Vogel and TERROR mark album ten with “Still Suffer” and new documentary

NYC post-hardcore legends QUICKSAND are back with new album “Bring On The Psychics,” share new songs “Get To It” and “Regenerate”

PMA Hardcore Tracks you need to know – MODERN GUILT playlist

SEE YOU NEXT TUESDAY and Chop7x almost made a pro wrestling record before landing on a Magic: The Gathering adaptation for “Brothers”

NYC pop-punk band SHOWER BEERS share “The Final Album, Vol. 1” after four years of NYC club shows

Paradise Must Be Nice 2026 brings sacred music, noise, and deconstructed club to three Berlin venues this June

SEUM, the bass-only Montreal sludge trio, tell the full story behind new album “Parking Life”

Leeds psych-rockers THE VENUS CHILDREN trace debut single “Rollercoaster” to a petrol station, oil, and the Chicken of Chance

Swedish duo MENDERBUG line up three EPs, release beautiful new single “Falling Voices”

Post rock screamo hybrid FALL OF MESSIAH close their second trilogy with “Green Lands” — stream the full album now!

Bergamo rockers THE POST SEASONS premiere “Rat Race” video, debut album “Songs For The Sound Guy”

Turin’s ROPE on pushing past the hardcore scene they came from, processing grief on new LP

Brooklyn’s ONESIE premiere “Twilight Years,” written after death of a father

Spanish hardcore punks CORPORATE JOB on naming a hardcore band after the jobs they grew up hating

Spanish post hardcore banda ADIÓS CABALLOS pull Neuromancer, 1984, and Fight Club into new EP “Edificios Abandonados”

Boston rock’n’roll skinheads BADTERMS premiere “Nest of Vipers” ahead of European tour

Heavy instrumentalists OXIDE premiere “Is It Dead…Or Dormant” feat. Thoabath, trace it back to a conversation about parasitic fungi

Warsaw post-jazz duo PAMIĘĆ release a map to the labyrinth of references behind “Ireneo Funes, Clementine and Prospero”