Thornhill write and play like they want to seduce you. The bodies they’re referring to in the title of their third album aren’t lifeless corpses, but warm, breathing, desiring (and possibly naked) ones. The Melbourne quartet’s djent-laden alt-metal thrums with sensual heat and a prickling sense of danger, a faithful reflection of their lyrical themes. There’s desire, there’s lust, but often with an aspect of power play or self-indulgence in the stories frontman Jacob Charlton tells. These sounds and themes are a continuation of what Thornhill did on their previous record, 2022’s Heroine, which perhaps unsurprisingly showed they’d taken extensive notes on Deftones’ hornier songs. It fell on the side of inspiration rather than imitation, luckily, and they got great ...