There are often two ways for a band to improve over time – get more focused or get weirder, and The Lion’s Daughter somehow did both on their second full-length, Future Cult. The St. Louis-based metal act transformed from a blackened post-metal act in their debut to a blackened John Carpenter score (or sludgy synthwave, if you prefer) on album number two. ‘Twas quite the leap, but the band were able to stick the landing due to a surprisingly great concept and even better execution. I raved about the album here, actually, saying: “The act’s blackened take on audio violence has certainly morphed over the years, but this latest batch of, as the band self-labels, ‘unpleasant’ music, is something else, fresh and horrifying in a league of its own. Future Cult features some of the most mystifying...
記事が移動しました。新しいURL: https://newnoisemagazine.com/album-review-the-lions-daughter-skin-show/
