Is the only scene left the nostalgia one? The world might slowly be putting itself back together, but things continue to fall apart for artists bobbing in the sea of uncertainty caused by the sonic sprawl of hardcore fans being able to choose between any subgenre and any era, still without leaving their room. Re-enter Norma Jean. It’s difficult to think of another band who’ve experienced their arc, from biting the hands of anyone trying to fob them off with “Christian metal” communion wafer with the gnashing intensity of their 2002 debut Bless the Martyr And Kiss The Child, to enlisting nu-metal superproducer Ross Robinson to reinvent themselves with buckling riffs on 2006’s Redeemer. Ever since, their albums have tended towards the latter’s scope and sense of occasion, with their la...