I think it’s fair to say that Dutch metallers Asphyx have a morbid fascination with death. Look, I know that’s probably a stretch, but hear me out. Firstly, the Overijssel quartet has been steadily perfecting their crunchy, metallic approach to headbang-worthy death-doom for over three decades now. (Granted, with a few gaps along the way.) Secondly, across their hefty discography, half or more of their ten full-length albums directly reference death or death-adjacent themes in their title, including the loose thanatotic trilogy of Death… The Brutal Way (2009), Deathhammer (2012), and Incoming Death (2016). Lastly—and perhaps most convincingly—the group’s name is derived from the Greek/Latin root which means “without a pulse.” (I’m also going to go right out on a limb here and say tha...
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