Hamburg heavyweights The Moth have something to offer that’s strikingly different to the doom hordes with whom they’re usually associated. Straightforwardly Sabbathian vibes are largely absent, even on an album including songs with titles like Birmingham and Cathedral. Okay, the latter tune does plough a laudably downer-psych furrow that hints at both Trouble and Uncle Acid, but this comparatively trad groove is just one of several directions the power trio explore throughout Frost. Whether singing separately or in highly effective unison, bassist Cécile Ash and guitarist Freden Mohrdiek use their voices in an insistent but understated way; only on abrasive opener Me, Myself & Enemy do they sound typically metal in delivery. Instead, The Moth’s concept of heaviness is w...