When most heavy outfits announce they’ll be incorporating electronic elements into their sound, it’s the sign of a shift towards mainstream listenability. For Candy, it was anything but. From its nightmarish artwork to the glitching techno-terror of tracks like Hysteric Bliss and Fantasy/Greed, blistering second album Heaven Is Here was the sound of a band pushing at boundaries and plunging down rabbit-holes to reflect not just the modernity, but also the crippling anxiety of human existence in the here and now. Enthusiastic, intelligent and endlessly likeable, guitarist and de-facto spokesman Michael Quick is not immediately the kind of artist you’d expect to be responsible for such tortured sounds. Unpicking his aims and thought processes, however, along with those of voca...